Performances like these are often called “spontaneous compositions” but in the case of Dave Rempis’ Kuzu, they’re often spontaneous combustions.

Released five years ago, David Ian’s ‘Valentine’s Day’ deftly explored the contours of romantic moods – from the lusty to the lovely.

This full-streaming website and mobile app is the next best thing to having Jon Herington with you in the practice room.

Avant-garde but never off putting, Anton Eger’s ‘Æ’ is a weird record, but weird in a great way.

Cabaret-noir singer Graham J.’s ‘Cry’ is an album of surprises, one which hits you both aurally and emotionally.

The Valentine’s Day-themed “Waitin’ Just For You” is a perfect reminder of the power and grace of Susie Blue and the Lonesome Fellas.

A rare instrumental, “Sign Language” closes out arguably the best Yes album to that point since 1983’s ‘90125.’

There is nothing usual, easy listening or ordinary about Arema Arega’s ‘The Red Soundtracks.’ It is completely different.

Claudio Roditi returned to the music of his homeland 10 years ago today, but this salute to Brazil boasted a unique approach.

Larry Grenadier’s ‘The Gleaners’ is a declaration that this long-time in-demand sideman is a seriously viable artist in his own right.