A badly needed reissue reminds us of Suburban Lawns’ focus on new wave excitement and subversion, bolstered by a sense of humor and of the odd.

Released on Oct. 10, 1969, King Crimson’s ‘In the Court of the Crimson King’ was like nothing that had come before – and little since.

George Harrison established his songwriting skills on “Within You Without You,” an often-overlooked Beatles track that boldly explored Indian styles.

Drummer/composer Billie Davies’ latest stop in her musical journey is a fruitful pairing of what she brought into New Orleans with what New Orleans brought to her.

Dave Grohl pushed hard for Rush’s induction into the Rock and Roll Hall of Fame. In a new editorial, Mike Tiano urges him to do the same for Yes.

Turns out, John Lennon – who would have celebrated a birthday today – was just as mercurially intriguing to his sidemen as he was to everyone else.

“Crosseyed and Painless,” released as part of ‘Remain in Light’ on Oct. 8, 1980, got at something deeper about the ’80s – and the Talking Heads.

With ‘Break Up the Concrete,’ released Oct. 7, 2008, the Pretenders found their old edge – but not with a return to hard-driving punk styles.

Swinging, grooving and bursting with courage and enthusiasm, the Turnback’s ‘Are We There Yet?’ is a power-pop goldmine.

“White Sister,” a stand-out moment from Toto’s sophomore album ‘Hydra,’ combines hard-rock strut and progressive rock obliqueness.