‘Black Light’ shows the still-vital John McLaughlin with the help of his spirited band the 4th Dimension incrementally pushing his craft forward.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.

Perhaps the Zombies’ finest effort to date, the appropriately titled ‘Still Got That Hunger’ combines their initial vision with a fresh outlook.

Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?

Salvador Santana’s “Till The Mornin’ Light” is one of the more accessible tracks on an album that boldly moves from funk to reggae to rap.

We often contemplate the spirit world in October. Songs by Screamin’ Jay Hawkins, Alice Cooper, TV on the Radio and others provide the soundtrack.

‘Time,’ released on Oct. 10, 1995, became Fleetwood Mac’s first-ever U.S. chart failure. Dave Mason joins us to explain what went wrong.

A badly needed reissue reminds us of Suburban Lawns’ focus on new wave excitement and subversion, bolstered by a sense of humor and of the odd.

Released on Oct. 10, 1969, King Crimson’s ‘In the Court of the Crimson King’ was like nothing that had come before – and little since.

George Harrison established his songwriting skills on “Within You Without You,” an often-overlooked Beatles track that boldly explored Indian styles.