Working in mysterious ways with his Zooid quintet, Henry Threadgill offers another installment of ingenuity on ‘In For a Penny, In For a Pound.’

Pete Townshend breaks down the Who’s individual strengths when it comes to recasting their music in an orchestral setting.

Jody Stephens new band Those Pretty Wrongs connects back to his time in Big Star in many ways, even as it provides a long-hoped-for sense of closure.

How did Hall and Oates become hip again after years as too-often-overlooked hitmakers? John Oates explains.

‘Close as You Get,’ released this week in May 2007, was your standard-issue Gary Moore blues record. Meaning, it was very, very good.