Scott Amendola, with Nels Cline and Trevor Dunn – Fade To Orange (2015)
Scott Amendola was right, his opus orchestra piece just couldn’t be a special, one-night-only performance. Fortunately, it won’t be now.
Scott Amendola was right, his opus orchestra piece just couldn’t be a special, one-night-only performance. Fortunately, it won’t be now.
‘Jimmy Choos,’ the lead track off the first album of original Rickie Lee Jones material in 10 years, sounds both familiar and different.
When Pat Metheny and Lyle Mays’ ‘As Falls Wichita, So Falls Wichita Falls’ arrived in May 1981, it sounded like nothing else in my record collection.
“Love of the Loved” failed to secure a recording contract for the Beatles with Decca. But Brian Epstein didn’t give up the hope that it could still hit.
As the Old Ceremony joins together with several musical heroes, “Fall Guy” emerges as a fizzy moment of old-meets-new alchemy.
Crosby Stills and Nash, Los Lobos and Richard Thompson, and Lyle Lovett are a few of the artists who can help get you ready for summer.
Bill Wyman’s “What & How & If & When & Why” doesn’t sound anything like is his earlier laid-back rootsy fare – to say nothing of the Rolling Stones.
Neal Schon takes us inside the unique guitar sound from Journey’s “I’ll Be Alright Without You,” released on May 27, 1986 as part of ‘Raised on Radio.’
The tenor ace Tallitsch delivers another mainstream jazz outing with a stellar supporting cast that’s dynamic, majestic and yes, a boatload of fun.
Yes knows a thing of two about survival. As such, it seems only fitting that the last song on their debut is so titled.