The overlooked ‘Faragher Bros,’ an outstanding collection of sincere, 1970s-era soul music, is primed for rediscovery.

As Queen preps for a streaming New Year’s Eve concert, Brian May explores why their collaboration with Adam Lambert has been so successful.

“Looking for a Place to Land” heralds Justin Townes Earle’s ‘Absent Fathers,’ a continuation of his thoughts on 2014’s ‘Single Mothers.’

Focusing on the instrumental elements of David Bowie’s Berlin era allows Dylan Howe to brilliantly elaborate on those familiar themes.

Foghat made an overt reference on “Honey Hush” to the Yardbirds’ Jeff Beck-era update of “Train Kept A-Rollin’.” Their connection goes further back.

A stirring mixture of gospel and folk, Lake Street Dive’s “What I’m Doing Here” unfolds without artifice, without retakes, without technology.

Yoko Ono considers what’s ahead, and it might surprise anyone who has thrilled to her impressive run of No. 1 songs on the dance charts.

Tony Levin discusses the 2014 King Crimson tour set to be chronicled in ‘Live at the Orpheum,’ and the return of a very special artifact from long ago.

Subtitled ‘The Dark Soul of Bert Berns and The Dirty Business of Rhythm & Blues’, Joel Selvin’s book focuses on a little-examined area of the music industry.

It took some three decades for Jimmy Barnes to catch up with Steven Van Zandt and record this duet. “Ride the Night Away” was worth the wait.