Here are Steely Dan’s five best bass performances, selected in tandem by our panel of Steely Dan authorities.

Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.

The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.

Duluth Trading Co. explains the concept of a pun in their response to a lawsuit from the Eagles’ Don Henley. Also, the whole free speech thing.

The majesty of Jeff Beck at his best isn’t just his technical prowess. It’s how he charges through boundaries like a paper pre-game banner.

“At the risk of sounding boring,” Deep Purple’s Ian Gillan says, “we haven’t changed our ethos since 1969.”

Some Hall and Oates videos were high concept, some amazingly low budget. But which is John Oates’ favorite?

Here is a review of Nick Hempton’s “Montauk Mosey,” a nightcap tune done up faithfully in the classic jazz style.

Billy Sherwood talks about the role he played in smoothing Yes’ sometimes-difficult transition from Trevor Rabin back to Steve Howe.

Tony Levin takes us to the genesis of this Scott Schorr co-produced effort, and talks about the possibility of future projects with Pete Levin.