Antoine Fafard’s ‘Ad Perpetuum’ is a wonderfully diverse piece of jazz-fusion art.

If you like ‘Kind of Blue,’ then you…uhh…will like ‘Blue’.

Walter Becker aficionado Preston Frazier picks out five instances where the guitarist shined on both Steely Dan and his own solo records.

Hall and Oates made a gutsy move, choosing to go their own way – and became genre-jumping pioneers in the process.

To celebrate October, autumn and U2’s recent marketing fiasco, here’s a few songs about the death of everyone’s favorite bad penny, rock ‘n’ roll.

Marcin Wasilewski Trio’s ‘Spark of Life’ does absolutely nothing to dispel the ECM stereotype. But so what? Other record companies would kill to be stereotyped like that.

‘Dick’s Picks 15’ was a high-water mark for the second phase of the Grateful Dead’s touring career.

As Peter Brotzmann speaks through ‘We Thought We Could Change The World,’ this becomes the rare book that reveals the essence of a man.

Ernie Watts and a band he’s worked with for more than a decade journey through a 24-hour cycle in sound.

Mat Brewster shares thoughts and memories during a random shuffle featuring Wilco, Whiskeytown and the Blind Boys of Alabama.