Guitarist Ryan Meagher describes his music in very straightforward terms; he calls it “modern jazz for the indie rocker.” You May Also Like: Vinnie Sperrazza – Juxtaposition (2017) Vinnie Sperrazza Apocryphal – Hide Ye Idols (2017)
Blessedly unencumbered by a constricting sense of pop decorum, Late Night Champ has a kitchen-sink sense of discovery — as Jon Sandler thrillingly weaves in threads from across a broad musical spectrum. You May Also Like: Jharis Yokley on ‘Sometimes, Late at Night,’ Jose James and Singing: Something Else! InterviewRead More
Sometimes, you dial up a particular piece of music because you know what you’re getting. You’re in a certain mood, and the Nth listen to The Ramones’ Rocket To Russia is what you need. You May Also Like: Michael Gregory Jackson – ‘Frequency Equilibrium Koan’ (1977, issued 2021) Tyshawn SoreyRead More
While most thrash bands have gone through identity crises since the ’80s ended, few of them have come out of that period as strong as Testament.
Award-winning soul blues singer/harmonica master Curtis Salgado will undergo surgery on July 18 in Portland, Oregon, to remove a cancerous growth from his lung You May Also Like: How ‘This Time’ Brought Robert Cray Full Circle Again Peter Van Huffel’s Gorilla Mask – Iron Lung (2017)
I haven’t thought about The Offspring in quite a few years, but when their latest record landed on my desk this week, I had to give it a try for old times’ sake. I still like a lot of the stuff from 1994’s Smash, and I had a fling withRead More
The cello-driven folk of Dare Me delights not just because of its offbeat instrumentation, but also in the way that it plays with dichotomies, with shadows and light, both musically and lyrically. You May Also Like: No related posts.
And now for the final installment of my first-ever, mid-year assessment of what are the best records we’ve covered here on SER. This time, we survey that murky hybrid world called “fusion jazz.” You May Also Like: Jeff Lorber Fusion – ‘The Drop’ (2023)
Even the most noble of tribute efforts can be sunk by a maudlin sense of care, the feeling that the great works being presented are sacrosanct — rather than living, malleable pieces of art. This album deftly avoids those mistakes. You May Also Like: When Miles Davis Finally Looked BackRead More
Maybe it’s just me but I’m getting sort of tired of the steady stream of articles and books that attempt to apply scientific analysis to our perception of music. You May Also Like: How Bruce Springsteen’s ‘Tunnel of Love’ Dug Deeply to Find Hard Truths
