Don’t even bother: it doesn’t mean anything. It’s just a weird band name they use because it sounds funny. And that, in itself, should tell you something about this band: They’re French and they have this kind of sense of humor. Add in the fact that guitarist Christophe Godin playsRead More

As an aside within my review of Steve Raegele’s mind blowing debut album Last Century I went into the bands Raegele had participated in and noted “I can’t say I’ve heard of these names previously You May Also Like: Thom Yorke – Spitting Feathers (2006): On Second Thought John SurmanRead More

Early on, Mick Jagger told an interviewer: “We were blues purists who liked ever-so-commercial things but never did them onstage because we were so horrible and so aware of being blues purists, you know what I mean?” You May Also Like: No related posts.

In Boston OK, lemme get this part out of the way: I was really, really excited to see the name “Gillian Welch” on the FleetBoston Pavilion marquee. You May Also Like: How Norah Jones Examined a Deep Hurt on ‘… Little Broken Hearts’ Norah Jones – ‘Pick Me Up OffRead More

The Steve Miller Band was huge when I was a kid. Everybody owned Book of Dreams and Fly Like An Eagle. That’s all I ever owned. So, it’s been kinda fun to dig into a famous artist’s back catalog. Check out the liner dedication: “This album is dedicated to theRead More

Whenever David Weiss is involved in a project, it’s worth sitting up and taking notice. Same goes for Billy Hart. Or Eddie Henderson, Or Cecil McBee, Billy Harper or George Cables, for that matter. But a project that involves all of these players demands your full attention. A lineup ofRead More

Brooklyn-born to Haitian parents, drummer Andrew Cyrille had gone on to record with Mary Lou Williams, Coleman Hawkins and Roland Kirk before beginning a decade-plus stint in Cecil Taylor’s band during some of Taylor’s most creative periods. You May Also Like: Andrew Cyrille, with Wadada Leo Smith and Bill FrisellRead More

Here’s unearthed new proof of Ray Charles’ still-underrated creativity, unerring rhythmic ear and undeniable moxie as a jazz musician.

While working as a session player in the 1960s with legendary songwriters such as Johnny Cash and Bob Dylan, an up-and-coming Charlie Daniels witnessed first-hand greatness at both the pen and the microphone. You May Also Like: Charlie Parker – Unheard Bird (2016)

The sweeping, cinematic quality of Alex Lopez’s new We Can Take This Boat makes perfect sense, really. After all, the saxophonist/composer’s debut, due on Nov. 22, follows earlier work on a series of independent films in New York City. An all-original effort, Lopez makes good on a series of namedRead More