‘Chicago 17,’ released on May 14, 1984, was a multi-million-selling smash. And Danny Seraphine and Bill Champlin aren’t about to apologize for it.
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Preston Frazier talks to Australian progger Ben Craven about his well-regarded career, his next album and his intriguing new music delivery system.
Guitarist Vernon Reid joins Something Else! to discuss Living Colour’s strikingly inventive debut ‘Vivid,’ released this month in 1988.
Sammy Stein sits down with saxophonist Colin Webster to discuss those unlikely situations where you find the greatest musical connections.
Mike Tiano on how one of the best movies ever made, Alfred Hitchcock’s ‘Vertigo,’ nearly wasn’t.
Jon Anderson and Billy Sherwood look back on Yes’ Frankenstein-like collaborative album ‘Union,’ released on April 30, 1991.
Denny Seiwell and Henry McCullough talk about Paul McCartney and Wings’ turbulent, uneven ‘Red Rose Speedway,’ released on April 30, 1973.
Released as part of ‘Tug of War’ in April 1982, “Take It Away” is McCartney’s last best pop hit – but there was a darker undercurrent at work.
“Oh Daddy” got Adrian Belew a solo deal with Atlantic, who released ‘Mr. Music Head’ on April 28, 1989. The worry was that he’d be forever saddled with it.
Miles Davis sideman Lenny White talks about recording the groundbreaking, genre-shattering ‘Bitches Brew,’ released in April of 1970.