The Band, “Across the Great Divide” from ‘The Band’ (1969): Across the Great Divide
“‘Big Pink’ was Sunday morning,” as Robbie Robertson once adroitly put it, “and ‘The Band’ Saturday night.”
“‘Big Pink’ was Sunday morning,” as Robbie Robertson once adroitly put it, “and ‘The Band’ Saturday night.”
The Band’s “Chest Fever” starts out as Bach, then it becomes midnight funky – and that’s all before anybody but Garth Hudson does a thing.
A cinematic, fever dream of a song, “The Weight” remains both an enigma and an emblem for its singer Levon Helm and the Band.
The Band’s “Caledonia Mission” showcases Rick Danko as both a mournful and country-inflected singer, and as a rapturously melodic bass player.
If the Band’s “Tears of Rage” showed how desperately lonesome he could be, “In a Station” finds Richard Manuel opening up his whole heart.
After reaching across generations on the solemn and startling “Tears of Rage,” the Band leapt into a rambling groove on “To Kingdom Come.”
As with everything surrounding The Band’s ‘Basement Tapes,’ there remains a lasting discourse on when “Don’t Ya Tell Henry” was recorded.
Arriving in official form so many years later, the Band’s fabled late-1960s ‘Basement Tapes’ project was almost destined to disappoint.
“Katie’s Been Gone” was the first in what would become a series of forlorn triumphs from the Band’s Richard Manuel.
The carnal, harrowing “Yazoo Street Scandal” points directly to subsequent triumphs for Levon Helm and the Band like “The Weight” and “Ophelia.”