‘Stage Fright,’ issued on August 17, 1970, was the Band’s highest-charting LP. But there’s still much to discover inside these overlooked moments.
Post Tagged with: "Robbie Robertson"
A moving turn by former Band mate Rick Danko gives shape to a yearning at the center of Robbie Robertson’s darkly mysterious “Hold Back the Dawn.”
Released on July 1, 1968, ‘Music from Big Pink’ included several famous cuts that defined the Band’s legacy forever. We discuss some lesser-known favorites.
Robbie Robertson, with Neil Young + Garth Hudson, “Soap Box Preacher” from Storyville (1991): Across the Great Divide
“Soap Box Preacher” rewarded those who’d waited in the hopes that Robbie Robertson’s solo career could conjure that old Band magic again.
Robbie Robertson continued in his role as a curator of things that Americans take for granted with this New Orleans-focused project.
Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”
Robbie Robertson, “The Lights” from Contact from the Underworld of Redboy (1998): Across the Great Divide
Songs like “The Lights,” from Robbie Robertson’s adventurous 1998 solo album, could only come from this songwriter, in this moment.
Robbie Robertson, “It Is a Good Day to Die” from Music for ‘The Native Americans’ (1994): Across the Great Divide
Crazy Horse, as Robbie Robertson’s “It Is a Good Day to Die” makes clear, wasn’t being boastful. This wasn’t a warrior’s cry.
Robbie Robertson on a thrilling, unrehearsed New Year’s Eve set with Bob Dylan: ‘We were just winging it’
Two and a half hours into a Dec. 31, 1971 show, the Band was joined by Bob Dylan — who arrived without a setlist.
The Band’s perhaps too ambitious “Christmas Must Be Tonight” never became the seasonal favorite it should have been.