Robbie Robertson continued in his role as a curator of things that Americans take for granted with this New Orleans-focused project.
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Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”
Robbie Robertson, “The Lights” from Contact from the Underworld of Redboy (1998): Across the Great Divide
Songs like “The Lights,” from Robbie Robertson’s adventurous 1998 solo album, could only come from this songwriter, in this moment.
Robbie Robertson, “It Is a Good Day to Die” from Music for ‘The Native Americans’ (1994): Across the Great Divide
Crazy Horse, as Robbie Robertson’s “It Is a Good Day to Die” makes clear, wasn’t being boastful. This wasn’t a warrior’s cry.
Robbie Robertson on a thrilling, unrehearsed New Year’s Eve set with Bob Dylan: ‘We were just winging it’
Two and a half hours into a Dec. 31, 1971 show, the Band was joined by Bob Dylan — who arrived without a setlist.
The Band’s perhaps too ambitious “Christmas Must Be Tonight” never became the seasonal favorite it should have been.
Robbie Robertson’s willingness to speak from the heart gave moments like ‘Broken Arrow’ a new resonance.
Robbie Robertson’s son set out to reshape his father’s life as a children’s tale. He ended up with something that will resonate with everyone.
Even lesser-known tracks continue to yield important insights, decades later.
Across the Great Divide: Robbie Robertson, “He Don’t Live Here No More” from How to Become Clairvoyant (2011)
A searing rebuke, performed with bristling force on a gut-string guitar.