It didn’t help that a different singer was featured on each single from the Alan Parsons Project’s smash album, which arrived in June 1982.

An unlikely yet enduring deep cut, “Hold On” finds Yes at the height of its stadium-rock power.

Yes should have made “Tempus Fugit,” a gem among gems, the focus track on 1980’s ‘Drama.’

A re-tooled Yes continued to test their boundaries with “Run Through the Light” from 1980’s ‘Drama.’

Yes has never sounded more like a cohesive unit than they do on “Into the Lens,” from 1980’s underrated ‘Drama.’

After a late-career surge, more than a few bands would be temped to coast on their good fortune. Not Deep Purple.

Steve Hackett ups the ante on ‘The Night Siren’ with a combination of stunning world music, progressive epics, and guitar playing second to no one.

“Does It Really Happen,” a stand-out cut from 1980’s ‘Drama,’ finds a rebuilt Yes sounding as vibrant and relevant as ever.

Yes’ ‘Man in a White Car’ has new wave edge that made it both a fitting piece for 1980’s ‘Drama,’ and also a weirdly engaging live piece.

Mark Anthony K talks to Preston Frazier about the new Projekt Gemineye project, and how a discarded guitar changed his musical life.