Now that you’ve devoured all of the weekend’s Record Store Day goodies, time to refocus on the next round of tasty musical newness headed your way — including 2012 releases from Anathema, Jack White and the Maccabees
Since appearing onstage dressed in a flower costume while with Genesis, Peter Gabriel continues to take fans on musical and visual twists and turns.
Best-of albums are starting to make sense to me. Is that nostalgia? Or perhaps I’m just getting old.
Peter Gabriel’s 1986 project So has long been critically and commercially beloved. The accompanying Martin Scorsese-directed concert film, “Peter Gabriel: POV”? Not so much.
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to former Genesis guitarist Steve Hackett, who’s readying a new collaboration with Yes co-founder Chris Squire
1970-1975 was one of the most creative, if not weird, periods of musical history, and that goes for Genesis as well. The most artistically exciting material of the band’s career, which is all covered on Box Set 3 (1970-1975), was produced during these years.
Are there any big-name musicians out there who seem to be universally loved but that you sort of don’t get? Yeah, me too. And it’s always kind of bugged me.
I was fine, mostly, with Peter Gabriel dumping the guitars and drums for his interpretations of other people’s work on Scratch My Back. There was considerably less excitement, though, for these looming orchestral interpretations of his own solo works
by Tom Johnson Somewhere out there, music fans cower in fear. The day has come again: Peter Gabriel returns with yet another album of orchestral covers! But fear not. This time he’s covering his own songs.
On this special edition of Something Else! Reviews’ One Track Mind feature, we had the reins over to Tony Levin, bassist with Peter Gabriel and King Crimson.
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