Always putting spirituality above improvisation, Brian Blade and The Fellowship Band connects to listeners in a way uncommon for jazz musicians, and ‘Body And Shadow’ continues a remarkable consistency of mission and quality spanning two decades.

Using bright, open-minded up-and-coming musicians much as Miles had done throughout his career, Weiss through Point of Departure very effectively uses a forgotten, fertile slice of jazz’s past to suggest a way forward.

As one of the most in-demand drummers in the world — jazz and otherwise — it can be a little understandable if Brian Blade hadn’t come forth with an album since 2009’s sublime singer-songwriter excursion Mama Rosa. You May Also Like: Brian Blade & The Fellowship Band – Body AndRead More

by S. Victor Aaron This is one I’ve been eagerly anticipating for a while; I’ve even said as much when I reviewed his last album, Perceptual. The wait finally ended on May 8 with the release of Season Of Changes. In that eight year span, Blade was providing drumming forRead More