Uncompromising, unafraid and utterly cool, the late Motorhead frontman Lemmy Kilmister embodied the spirit of rock ‘n’ roll.
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‘Condition Human’ marks the full return of the Queensryche that I know and love.
Experimental French quartet Louis Minus XVI’s ‘Kindergarten’ is easier to like because it’s harder to pin down.
The campy Halloween film ‘Trick or Treat’ doesn’t hold up so well anymore. But Fastway’s original soundtrack? That’s another matter entirely.
‘The Pale Emperor,’ more than any from Marilyn Manson in the intervening years, seems like the natural successor to ‘Mechanical Animals.’
Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?
A key track from Savatage’s Streets: A Rock Opera, released on Oct. 4, 1991, made all the difference in the world for one troubled fan.
Does ‘Repentless’ match Slayer’s classics? Not really. But it’s probably the best complete album they’ve done in decades and, for me, that’ll do.
Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.
Aside from being a great song, the story of how the Wicked Fools’ “Beverly” dropped in my lap is simply unbelievable.