by Tom Johnson I have to be forgiven if I refer to this album as sounding like Frisell “getting back to his roots.” His roots, to me, are not necessarily his original sound but where I picked up with this great guitarist — the era in the early to mid-1990s where he bridged a strange gap between angular jazz andRead More
Post Tagged with: "Jazz"
by Mark Saleski This record has more often than not been out of print. Maybe it’s the legalities involved in dealing with such a large cast. Maybe it’s record company incompetence. I don’t know. What I do know is that it’s one fantastic, diverse and powerful tribute to Thelonious Monk. I got a freshly ‘minted’ copy of the CD thanksRead More
Last year’s Opening made me a believer in the trumpet wizardry of one Carol Morgan, who blazed through a set of originals and standards in a small combo without a piano. Her brand new follow-up Blue Glass Music follows the same formula, with perhaps a bit more emphasis on the standards. She also has a full time foil this timeRead More
Pianist David Paul Mesler and saxophonist Tony Rondolone offer 13 takes on a theme during the appropriately titled Moonsongs, an album perfectly suited for twilight
The toughest part about writing this review has been trying to decide if I should file it under the jazz category or the fusion jazz category. And whenever that conundrum happens, it’s usually a good sign for the record.
A mainstream jazz pianist leading a trio through a set of tunes out of the Great American Songbook doesn’t signal that the record is going to set the jazz world on fire with a cutting edge material and indeed, Out Of This World by the Ted Rosenthal Trio doesn’t deliver that kind of music. Still, it’s pleasing to hear RosenthalRead More
You hear, for one final time, the promise of Amy Winehouse — if only in the way she can so expertly imitate the memorable phrasing of Dinah Washington.
by Mark Saleski Back in the dark ages (read: before the Internet) I spent a fair amount of time searching out new music by paying very close attention to the listings of my local public and classical radio stations.
Singer-pianist Christie Winn, a performer who crackles with spontaneity, pushes Closer to Home into every corner of her craft. Her deft ability to sound both quiet and strong, rhythmic and yet lucid, soulful and still multi-dimensional makes the album a consistently engaging delight.
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