When I sat down to think of all the standout mainstream and modern jazz records released in 2011 I could recommend without any hesitation whatsoever, I came up with 20 selections. Holy crap, 20!
Post Tagged with: "Jazz"
The Eagles and Tom Petty play the New Orleans Jazz and Heritage Festival for the first time, as 2012’s lineup is announced for the sprawling outdoor music event featuring rock, jazz, Americana, gospel, rhythm and blues, Cajun and zydeco.
Tony Bennett’s warm, inviting delivery would seem perfectly suited to seasonal music — and it is.
This was a near-total crapshoot. I’ve never heard of guitarist Pierre Dorge, but the names Billy Hart (drums) and John Tchicai (soprano and alto sax) were familiar. What I ended up with was something that is mostly straight-ahead jazz, with a fair bit of angularity. Dorge’s playing goes from the ethereal to way out there. He has a Jim Hall-typeRead More
The title for the Noah Kaplan Quartet’s debut album makes all the sense in the world when you look up the word “descendant” in the dictionary. There, you’ll find one of the definitions read “deriving or descending from an ancestor.”
If you’ve ever been interested in Ornette’s Free Jazz, but thought that it might be “too much,” then this album might be worth a listen. The first track, “First Take”, is literally a shorter version (17 minutes) of the Coleman classic. The double quartet lineup is impressive, too: Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie HadenRead More
The German-born, NYC-based, Berklee honors grad pianist Axel Schwintzer thrives on versatility, and the multi-national makeup of his band reflects that.
What better time of the year is there for a list like this? After all, discovering each one of these up-and-coming standouts was like finding a Christmas-morning surprise under the tree.
Matt Steckler’s Dead Count Bounce is a band that within the parameters of traditional jazz seeks new musical directions
Diana Krall … Harry Connick Jr. … Josh Groban … Norah Jones … Michael Bublé. What to make of young, attractive musicians who seem rooted in the past?