If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery.
Post Tagged with: "Jazz"
Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendous record that unsurprisingly shot up to the top of theRead More
by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side of it. You know how some folks will characterize slower musicRead More
by Tom Johnson This trio is basically Bill Frisell‘s home away from home, it seems. If he’s not putting out his own solo album, it seems like you can almost count on something from this trio sooner or later, where he indulges his more straight-ahead jazz tendencies. The joy in listening to a group like this, of course, is inRead More
Israeli-born guitarist Roni Ben-Hur and Brazlian-born bassist Nilson Matta head a date with percussionist Café (another Brazilian) and American drummer Victor Lewis in tow, called Mojave. While the title might conjure up images of the American Southwest, pay closer attention to the native country of both the bass player and the percussionist, because it is the rich musical heritage ofRead More
On June 14th, guitarist Pat Metheny will release What’s It All About, an all-acoustic album that’s about as far as you can get, technologically speaking, from last year’s Orchestrion.
by Mark Saleski Saxophonist Dave Rempis’ co-conspirator on drums, Frank Rosaly, lays down some solid grooves and textures. Nothing here is quite as chaotic as say, Interstellar Space, but the music isn’t exactly subdued either. Rempis displays some impressive extended technique on tunes like “How to Cross When Bridges Are Out,” with Rosaly providing both implied rhythmic structure as wellRead More
There is this deeply personal texture to A Lifetime, a redemptive 10-track journey through love’s rocky terrain. French jazz-pop singer-songwriter Dawn Harden wrote or co-wrote, with pianist Patrick Pernet, all but one of the songs, giving the record a lasting resonance. She starts with “Traces,” a lovelorn tale of a lost passion presented in a trembling, almost confidential way. It’sRead More
Since Tom Cora’s tragic passing in 1998, there might not have been a more adventurous cellist on this planet than Erik Friedlander.
by Mark Saleski I’m not one to quote Wikipedia, but this time around it makes perfect sense: “Smooth jazz is a sub-genre of jazz which is heavily influenced by R&B, funk, rock, and pop music styles (separately, or, in any combination).” This is an interesting definition because it highlights the point of contention: Is smooth jazz actually jazz? For theRead More