The Baron Four have an authentic, mid-’60s garage-punk American sound. There’s just one problem.

What’s the difference between an electric piano and an acoustic one? In the hands of The 1957 Tail-Fin Fiasco, apparently not much, quality-wise.

Even without the benefit of no expectations this time around, Julia Úlehla and Aram Bajakian’s ‘The Book of Transfigurations’ manages to captivate like that first Dálava album.

Jeff Beck himself hadn’t been able to replicate the grit and immediacy of the funk/rock/jazz classic ‘Blow By Blow’ but Butcher Brown’s ‘The Healer’ comes close.

An EP release has an interesting aesthetic all its own, as shown by key releases from R.E.M., Let’s Active, the Dream Syndicate, the Bangles and others.

Jazzy, R&B-inflected pop — aka ‘yacht rock’ — is music that had its day in the USA through the 70s and into the early 80s but since then the UK became the main mecca for this kind of music. From the time that You May Also Like: Zem Audu –Read More

Mark Anthony K talks to Preston Frazier about the new Projekt Gemineye project, and how a discarded guitar changed his musical life.

Projekt Gemineye’s ‘Ordinary Day’ combines heavy guitar elements with Pink Floyd-style keyboards, all in support of unmistakable melodic hooks.

“Ordinary Day” makes a fine first impression for Canadian metal/prog veteran Mark Anthony K’s Projekt Gemineye.

Ballister’s ‘Slag’ is free-form music – played that way and at its best.