Petty began to take control of his vocal gifts on the second Heartbreakers album.
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Did Tom Petty and the Heartbreakers fall into “the second-album dilemma”?
What a way to close their self-titled 1976 debut album.
The story of “Luna” begins in Tulsa, Oklahoma. Shelter Records, with whom the Heartbreakers were signed when their eponymous debut was released, was founded and run by Denny Cordell (who produced the album) and Leon Russell
Tom Petty sets the record straight with Paul Zollo in Conversations With Tom Petty, concerning a very particular label that is often cast upon the Heartbreakers: “We’re always referred to as a Southern band,” he says.
Tom Petty and the Heartbreakers is, ultimately, an uneven record. Taking their official lineup into account, only eight of the ten tracks can really be considered Heartbreakers songs.
“Strangered In The Night” is the second and final song on Tom Petty and the Heartbreakers that is a leftover from Petty’s solo record sessions, therefore not technically qualifying as a Heartbreakers song.
Tom Petty has written his fair share of songs about mysterious women: “Magnolia,” “Shadow Of A Doubt (A Complex Kid)” and “A Thing About You” are just a few notable ones. “The Wild One, Forever” was his first, and it is simultaneously one of his greatest love songs and one of his most heartbreaking.
It’s interesting that “Hometown Blues” is featured on two Heartbreakers best-of compilations — 1995’s five-disc, career-spanning box set Playback and 2000’s double-disc Anthology: Through The Years. Firstly, there are arguably better songs from Tom Petty and the Heartbreakers that didn’t make the cut
“‘Breakdown,’ I wrote that, and we cut it. It was really long. Maybe seven or eight minutes … And somewhere near the end, [Mike] played that lick … Dwight Twilley came in, and when that lick came by, he goes, ‘That’s the lick! Oh man, that’s the lick!’