Often situated in a cloud of opaque neo-funk, the late David Sanborn’s talents could be understandably obscured. Yet, there’s no mistaking, or escaping, that tone.

Released 20 years ago this month, the Top 5 U.K. smash album ‘Reality’ found David Bowie doing something unusual.

‘The Next Day’ found David Bowie making a surprise return 10 years ago this month, but without the old theatrics and an artsy agenda.

Tin Machine closed out their underrated career 30 years ago this week with a live LP that was once again thrillingly rough, angular and always quirky.

In 2021, my vinyl collection grew substantially — and for me, it’s evolved into a bit of an addiction.

I think I finally understood David Bowie sometime around Christmas 2019.

Released 25 years ago, Philip Glass’ ‘Low Symphony’ wasn’t a note-for-note David Bowie redo, but a brilliant borrowing of themes for inspiration.

There is a sense of David Bowie’s essence here – not the characters he created but Bowie as the song master.

We remember David Bowie, Glenn Frey of the Eagles, the Beatles’ legendary producer George Martin and Prince in a special edition of Odd Couples.

The hard-to-accept fact is simply that although Mott the Hoople had a number of good albums, they never really had any great ones.