‘Frampton Forgets the Words’ makes the argument that if he hadn’t become a star, Peter Frampton would have been better appreciated for his guitar work.

“Everydays” is a look forward to things to come, arrangement wise, through the main sequence of Yes albums.

Deborah and Pat Mastelotto’s ‘A Romantic’s Guide to King Crimson’ is a gorgeous record, all the more enjoyable for being unforeseen.

This Van Morrison favorite is a perfect fit for David Starr’s expressive boy-next-door voice and sympathetic arranging skills.

Billy Porter has released a new version of Stephen Stills’ classic “For What It’s Worth,” a Vietnam-era protest song that never feels dated. It’s predictably stirring.

Yes, it was bold, but this remake of “25 or 6 to 4” update ranks up there as one of my all-time favorite Chicago guilty pleasures.

Toto’s Leon Russell-inspired take on “It Takes a Lot to Laugh, It Takes a Train to Cry” is a fantastic end to an album which deserves a revisit.

Richard Turgeon’s energetic delivery of “22” is right in sync with its youth-obsessed theme.

‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.

Toto made some safe song choices on 2002’s ‘Through the Looking Glass,’ but then there were also a few head-scratchers like “Watching the Detectives.”