Lucinda Williams’ ‘Down Where the Spirit Meets the Bone’ is an expection to the rule of double albums being full of filler. This one is all killer.
Post Tagged with: "Bill Frisell"
Ron Miles and Company once again make music ideal for those who savor it with angularity and superb group dynamics.
If you’re looking for a little ear expansion, Arto Lindsay’s your man.
For non-musicians, the creative process can be something of a mystery. The composer has all of that training about melody, harmony, scales, time signatures, and chord progressions — and out of that the musical ideas are born…somehow. The truth is that while the process can indeed be opaque (sometimes even to the composer), it’s not necessarily loaded down with music’sRead More
Mark Saleski’s Best of 2013 (Jazz): Bill Frisell, Mary Halvorson, Mort Weiss, John Zorn, Pat Metheny
People like to make that joke about jazz not being dead — no, it just smells funny; har, har … oh, so clever — or they cling to the belief that nothing new has happened
Mark Saleski’s Mid-Year Best Of 2013: Pat Metheny, Richard Thompson, E. Normus Trio, The Flaming Lips
It’s hot, it’s humid, it’s…almost July? Well, mid-year has once again snuck up on me. Time to recap the (fantastic) musical half-year that has apparently flown by.
New Music Monday: Bill Frisell, the Beach Boys, Nektar, Delbert McClinton and Glen Clark, Candlemass
Bill Frisell used time away at Big Sur to fashion a brilliant new addition to his on-going series of Americana jazz triumphs. We also look back at a time when the Beach Boys had all three Wilson brothers on tour.
The progenitor of Americana jazz makes music that’s most directly inspired by a scenic crown jewel of Americana itself.
By the time Paul Motian had passed away in November of 2011, he had established a legacy that reaches far beyond a couple of historical evenings at the Village Vanguard in late June of 1961. But becoming known as something much more than Bill Evans’ drummer within arguably jazz’s greatest trio didn’t happen overnight.
Bill Frisell’s appearance last Saturday with Marianne Faithfull at Paris’ New Morning club was another reminder of the jazz guitarist’s often underrated affinity for pop and rock music.