The finest of the tracks here point to a musical sensibility that’s a touch too ribald for Crowded House. Tim Finn, who had recently left after a short association with brother Neil’s band, experiments with a number of far-out sounds: A processed background vocal on “Can’t Do Both”; the fuzzyRead More

NICK DERISO: “The Ultimate Session” might not completely live up to the billing. Forgive us, however, if we cherish its sense of hip-shaking fun, anyway. Assembled are a who’s-who group of New Orleans musicians who played nearly five decades before with the likes of Little Richard, Fats Domino and ProfessorRead More

by Nick DeRiso Herbie Hancock almost didn’t pull off “The New Standard.” This High Concept offering from 1996 found Hancock, with varying degrees of success, adapting songs by popular artists like Peter Gabriel, The Eagles’ Don Henley, Paul Simon, The Beatles and Prince. You had to give him credit —Read More

NICK DERISO: Funny thing about that modern-day romantic Harry Connick Jr.: Before this decade-old release, he hadn’t ever explored a song cycle about, and only about, love. Oh, Connick would take his shots, now and then. But always with a dash of popcraft crooning, light New Orleans funk or swash-bucklingRead More

Marc Ribot is near the front of a phalanx of whack jazz axe slingers that includes Fred Frith, Henry Kaiser, and of course, good ol’ Bill Frisell. As way out his anything-goes approach goes on his solo records, he’s plenty versatile enough to play for guys as diverse as JohnRead More

NICK DERISO: While Rubalcaba was making troubling (if not downright boneheaded) political decisions, he was also proving to be an inspiring (and sometimes downright thrilling) young pianist. Not long after Rubalcaba said the crippling Communist regime in his native Cuba wasn’t all that bad, after all — much to theRead More

NICK DERISO: With reggae, the song’s meaning isn’t always the point. More often, it’s the grooving from side to side. That was largely the case with Jamaican-born Leroy Shakespeare, whose Metroplex-based band made a bar-band legend by incessantly crisscrossing the South from 1988-2001. This recently reformed group was notably votedRead More

NICK DERISO: I must admit, even now, an abiding love for the inner-ear damage that “Purrrr,” this long-forgotten hard-pop release, offers. But there’s more to it: Hollyfaith’s debut on Epic is, in some ways, perfectly done guitar-focused music, raunchily loud but then welcomely tender — and, in no small way,Read More

This record was, Blanchard told me, his love letter to Miles Davis. In retrospect, it was the beginning of his ascension from young lion into modern standard bearer, too. Born in New Orleans, and brought up in one of the final incarnations of Art Blakey’s traveling finishing school the JazzRead More

NICK DERISO: You see the name “Sonnier,” you think Cajun. And you’re almost right. Sure, Jon Yudkin played fiddle on Kip Sonnier’s “Truth or a Lie.” Steve Duhon was on accordian. And, yeah, Sonnier is a Louisiana native. Even so, Bobby Terry could be found on pedal steel. And thatRead More