Post Tagged with: "1970s"

Something Else! Featured Artist: Steely Dan

by S. Victor Aaron 1) Aja (1977)Strong set of songs + note perfect production + top notch musicianship = masterpiece. High point: The Wayne Shorter and Steve Gadd exchange during the extended instrumental passage of the title cut. Low point: Didn’t come with a second LP.

Something Else! Featured Artist: Jean Luc Ponty

by S. Victor Aaron LIFE ENIGMA (2001): Born in Avranches, France, in 1942, classically-trained violinist Jean Luc Ponty discovered Miles and ‘Trane in his twenties and became a pioneer in the fusion movement of the late-sixties and throughout the seventies. He was — and still is — arguably the finest electric violinist in the world. Oops, did I say “arguably”?Read More

Lionel Hampton and Friends – Rare Recordings, Vol. 1 (1977)

by Nick DeRiso A line-up from jazzer nirvana is one thing. Wringing such ringing performances out of the guys is quite another. Call this cool vibes from vibrophonist Hampton, who certainly knows where to mail the invitations — a veritable who’s-who of jazz for the newbie: Pianist Hank Jones, trumpeter Thad Jones, pianist Earl “Fatha” Hines, bassist Charlie Mingus, trumpetRead More

Gimme Five: Overlooked Miles Davis recordings

Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lot of unturned stones despite some 45+ years of recording history.Read More

Forgotten series: Soul jazz saxophonist Julian ‘Cannonball’ Adderley

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the Prince Of Darkness’ help.

One Track Mind: Clarence "Gatemouth" Brown – "Monroe, Louisiana" (1975)

by Nick DeRiso “Sitting on a suitcase, in the Memphis depot – wishing to God I could fly,” sings Clarence “Gatemouth” Brown on my old record. “Catching this train is my way of telling Memphis and Mildred goodbye.” People have actually asked me to bring it to parties. The album – and it is an album, on vinyl pressed inRead More

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