Andy Summers’ echoing, textural approach to the guitar is forever linked with the Police, but he’d been an established figure in music for more than a decade before rising to stardom with that sound alongside Stewart Copeland and Sting.
We’re celebrating the late George Harrison’s birthday by revisiting some signature moments with collaborators from his earliest days of post-Beatles music making.
The title is a misnomer, of course. Bob Dylan has been releasing lost treasures for so long now — his Bootleg Series, which dates back to 1991, is up to Volume 10 — that you can find official versions with ease these days.
Turns out, John Lennon was just as mercurially intriguing to those who shared studio time with the late Beatles star as he was to those who simply purchased the music.
On this date forty years ago, Steely Dan released their third long-player Pretzel Logic, widely regarded as a pinnacle achievement for the premier jazz-pop rock band and one of those great classic rock albums of the 70s.
After laughing it up through our initial Gimme Five list of sitcoms and comedies, it’s time to delve into the darker corners of Netflix — from a zombie-fied Atlanta to the misadventures of a southern California-based biker club, to the secret double life of a certain chemistry teacher …
Gimme Five: Genesis’ Steve Hackett, Anthony Phillips + Ray Wilson on ‘Firth of Fifth,’ ‘The Knife,’ ‘Musical Box,’ others
They never sold as many records, never got any where near as much attention. But that doesn’t mean the separate tenures of Genesis’ Steve Hackett, Anthony Phillips and Ray Wilson aren’t worth exploring.
There so many great shows to watch on Netflix that it can be difficult to create a shortlist. So, let’s break it down by genres.
Back in the studio for its first new album project since 2006, not to mention on the cusp of a major world tour with Michael McDonald, Toto has made a dramatic return to the spotlight.
Unlike 1980s miniseries full of glamour and glitz or 1990s relationship-themed cable movies, 1970s TV movies were sleazy, scary, dopey or just plain weird. They were characterized by schlock, horror and the occasional tearjerker or social commentary.