So many great records to rave about…and so little time to rave. Last year I started a new tradition with a “just one more list before we’re done with lists” kind of list.
Best of the Best: The Official™ Something Else! Top 10 for 2013: Steven Wilson, Black Sabbath, The Band
Every one has had their individual say, made their choices, argued the point. Now, it’s time for consensus ruling from the bench: Here is The Official™ Top 10 for 2013 from Something Else!
Fred Phillips’ Best of 2013 (Country and Southern Rock): Shooter Jennings, Sturgill Simpson, Hank III
I certainly don’t claim to be any sort of expert on country music. I’m a metal kid from the sticks who was reintroduced to my country roots through Johnny Cash’s resurgence in the early 1990s.
Any time my year-end list starts with more than 20 candidates, it’s been a pretty metal year for me. That was the case for 2013
Never mind that our readers’ top pick for 2013 was actually published on December 27, 2011. It’s part of a trend involving a certain mop-topped bunch.
Old lions — namely Wayne Shorter, Boz Scaggs and James Cotton — certainly roared in 2013, putting out some of the most vital, present music of their careers.
When I sized up the best fusion jazz discs of 2013 at mid-year, I came up with ten I really liked a lot.
S. Victor Aaron’s Best of 2013 (Part 3 of 4, Avant Garde & Experimental Music): Ben Goldberg, Ceramic Dog
I used to call this the “whack jazz” (or is that “wack” jazz?) list, but I found that term to be too restrictive for what’s being presented below.
The Band is revealed in all of its muscular, almost (but never completely) out-of-control on-stage glory — bolstered, in a meeting of musical worlds, by these stabbing horn charts from Allen Toussaint.
Mark Saleski’s Best of 2013 (Jazz): Bill Frisell, Mary Halvorson, Mort Weiss, John Zorn, Pat Metheny
People like to make that joke about jazz not being dead — no, it just smells funny; har, har … oh, so clever — or they cling to the belief that nothing new has happened