At the start of this concert with Albert Lee, Peter Asher said the goal was “to make this coffee house a bit like your living room.” They succeeded.
Articles by: Tom Wilmeth
The two words that repeatedly came to my mind during Lyle Lovett’s concert were “generosity” and “faith.”
Paul Kantner played the University of Iowa on November 11, 1969 with Jefferson Airplane, but I was in the ninth grade – so no way were my parents letting me go.
I’m still looking for a published interview where any of the Beatles or producer George Martin indicate a preference for monaural sound.
It had been 35 years since I’d seen the quintessential prog-rockers Yes, led by the recently departed Chris Squire. They didn’t disappoint.
Rivers, highways, coyotes, border crossings, and the wide night sky all played a part in Joe Ely’s resonant Lone Star travelogue.
Wednesday night’s Bob Dylan concert was as meticulously crafted as a classical music program by the Milwaukee Symphony.
Gary Burton’s country-jazz experiment ‘Tennessee Firebird’ broke every rule. He joins Tom Wilmeth to discuss a gutsy decision to record in Nashville.
Stevie Wonder’s 2014 stop at Los Angeles was more than just a concert. It was a reminder of his gifts, his passion and his humanity.
Subtitled ‘The Dark Soul of Bert Berns and The Dirty Business of Rhythm & Blues’, Joel Selvin’s book focuses on a little-examined area of the music industry.