NICK DERISO: A trip through the Mississippi Delta this week had me thinking about the old Rooster Blues Records label. Located from 1988-98 inside the Delta Record Mart on Sunflower Avenue in Clarksdale, Rooser Blues releases can still be found in a riverboat-shaped downtown building called Dela’s Stackhouse. “Coahoma theRead More
NICK DERISO: This release came in the wake of an ambitious year that saw Connick issue both a big-band swing record and a three-piece jumping jazz record without vocals. Not only do I not have to tell you which one sold, I don’t have to tell you which style HarryRead More
The hard-punching Charles Thompson is best known, if he’s known at all now, as a deep-background member of the Coleman Hawkins/Howard McGhee band from this period. On “Takin’ Off,” however, Thompson’s frisky rhythm and round-house experimentation are a constant reminder of just how underappreciated he remains. Thompson wasn’t simply aRead More
In anybody else’s hands, this new Mavis Staples album would have been a museum piece, interesting but ultimately dust-covered and remote. Not that “We’ll Never Turn Back” (to be issued on Tuesday by Anti- records) doesn’t have plenty of right things to say, and certainly plenty of righteous things, inRead More
This summer’s reunion of those pop perfectionists Crowded House had me back listening to this terrific mid-90s release, which — like the new tour — does not include longtime frontman Neil Finn’s brother Tim. From its completely realized debut with producer Mitchell Froom to the transformations when Neil and TimRead More
Editor’s note: This column ran as part of an obituary package on the national Gannett News Service wire upon Dizzy Gillespie’s passing in 1993. People told him those bullfrog cheeks would ruin his playing. The embouchure, very important. Flinty, yet funny, John Birks Gillespie was insightful enough to understand thatRead More
NICK DERISO: Guitarist Buddy Guy, a Baton Rouge-area native, has a presence hardly in need of defining. From bar-walking solos (thanks to that old 150-foot amp chord), to his clean, percussive style on a polka-dot guitar, Guy has since the 1960s cut a wide swath, image-wise. Yet “Southern Blues” illuminatesRead More
Cowboy Mouth — announced this week as one of the many featured bands at the 2007 Jazz and Heritage Festival in New Orleans — emerged in the early 1990s as a rugged, but distinctly popular rock alternative to the typical fiddle-and-rubboard fare associated with Louisiana music. Not that its NewRead More
NICK DERISO: Young Freddy Cole had dreams of performing in the NFL. You might understand why the younger brother of Nat “King” Cole would shy away from playing piano and singing. But a severe injury to one hand led him to listen more closely to the emotions that jazz musicRead More
NICK DERISO: On this, their second release, the Bluerunners were not so much tinkering with their tough southern-Louisiana sound, as they were utterly revamping it. “Chateau” (on the terrific old Monkey Hill label) was to traditional Cajun what punk music was to rock — a whole new version, but bornRead More
