‘Dance Me This’ is diverse in its content and genre references, outer-worldly, edgy and, OK, a little bit weird. Just like Frank Zappa.

Released this week in 1973, Chicago’s “Just You ‘N Me” combined their now-familiar easy-listening vibe with cool earlier-period improvisational asides.

Here is a review of ‘Creating Structure’ by the Rich Halley 4, a satisfying album where the wall between composing and performance is removed completely.

“I don’t write for myself,” Steve Cropper admits, “and I don’t write for my family.” No, he’s motivated by something else.

Released in June of 1986, Emerson Lake and Powell represented a brawny, 1980s-era update of the old ELP sound — courtesy in part of a different drummer whose name also happened to begin with P. Seems Carl Palmer, co-founder with Greg Lake and Keith Emerson of Emerson Lake and Palmer,Read More

One of the 1970s’ most controversial Supreme Court cases sparked an emotional new song from Seals and Crofts. It derailed their career.

Through it failed to make the ‘Hard Day’s Night’ soundtrack, “I Call Your Name” nevertheless illustrates the Beatles’ rapid artistic development.

Here is a review of the debut album by Toronto electric bassist Brad Cheeseman, the fun but sophisticated ‘Brad Cheeseman Group.’

On stage, Jethro Tull’s Ian Anderson has been hit with a variety of items: a baseball, a rose, a splash of urine. This, however, may have been the worst.

The overriding sense you get from listening to Joe Smith and the Spicy Pickles’ ‘High Fidelity,’ carefully crafted to evoke a true swinging ’40s style, is one of well being.