If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery.
Archive for June 14th, 2011
Their Ocean, ambient then soulful, is one of those amalgams that sounds instantly recognizable, yet completely new. The Chicago-based psychedelic R&B/indie rock group has described itself as “a cross between Hall and Oates and Arcade Fire, if they were friends with the Soulquarians.” As funny as that sounds, it’s about right.
by Derrick Lord Occasionally jazz and blues fans need to be reminded that we don’t have to limit ourselves strictly to musical recordings. Keep in mind there is plenty of great artwork available that would be a nice addition to any collection or music room.
Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendous record that unsurprisingly shot up to the top of theRead More
by Mark Saleski Superfluous. Meaningless. Pointless. Redundent. Obligatory. No, I haven’t been playing with my thesaurus. These are just some of the words that are often used to describe live recordings.
The Austin, Texas-based Hickoids, a shambling, couldn’t-give-a-sh–t group of cowpunk nutjobs, cover their share of oddball Anglophile items on the new Kicking It With the Twits, out on Saustex Media in San Antonio. There’s the Stones (“Have You Seen Your Mother …”). Eno (“Needles in the Camel’s Eye”). The Move (“Brontosaurus”). Mott the Hoople (“Whizz Kid”). The Who (“Pictures ofRead More