Insistent but quiet, Avi Wisnia begins with a bracing confidentiality, gently pulling you in the pillowy reverie of “New Year.” But, just like that, Wisnia shakes himself awake as Renee Warnick’s swooning voila surrounds him, moving from the brink of resignation into a contagious confidence: “Never turn your back on the way things are. They are what they are supposed to be.” A little like Ben Folds, in that the Philly-raised New Yorker builds pop symphonies out from a skeletal piano signature, Wisnia has perfectly captured the scary uncertainty as well as the soaring optimism associated with the calendar’s turn from December to January.
[amazon_enhanced asin=”B004WQUZ6C” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /] [amazon_enhanced asin=”B003KRMC60″ price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /]
Avi Wisnia’s “New Year,” produced by Grammy-winner Glenn Barrett (Amos Lee, Melody Gardot), is featured on the just-released New Arrivals Vol. 4, a benefit project from MPress Records. Proceeds will be directed to the National Network For Youth, a homeless outreach program. Visit nn4youth.org.or
Half Notes is a quick-take music feature on Something Else! Reviews, presented whenever the mood strikes us.
Latest posts by Nick DeRiso (see all)
- Frank Sinatra, “Only the Lonely” from Ultimate Sinatra (2015): One Track Mind - April 26, 2015
- Miles Davis’ brilliant, misunderstood Bitches Brew broke every rule: ‘An art form unto itself’ - April 26, 2015
- Otis Taylor, “Cold at Midnight” from Hey Joe Opus / Red Meat (2015): One Track Mind - April 24, 2015