The re-release of Joe Chambers’ ‘Double Exposure’ should provoke a long overdue re-examination of a career that touched on several turning points in jazz using multiple talents.

Zev Feldman’s Time Traveler Recordings is set to give Woody Shaw’s lost 1976 classic ‘Love Dance’ the high-quality vinyl release treatment.

Horace Silver’s ‘Silver In Seattle: Live At The Penthouse” is a very satisfying snapshot of an important artist in the middle of a lengthy period backed by major jazz big guns in their own right.

Emily Remler’s string of records during her short lifetime revealed an astonishing, groundbreaking guitar talent but didn’t reveal how that talent translated to the stage. ‘Cookin’ At The Queens, Live In Las Vegas 1984 & 1988′ at long last rectifies that.

Recorded in 1966 at their peaks, ‘Forces of Nature: Live at Slugs’ finds jazz giants McCoy Tyner and Joe Henderson freed from studio constrictions.

Here we are well into the 21st century and Sun Ra’s music from these mid-70s performances is in some ways, still ahead of the present time.

Now out in complete, remastered and legal form, ‘Poppin’ in Paris: Live at L’Olympia 1972′ should serve to get Cannonball Adderley’s final era the attention it deserves.

‘Maximum Swing: The Unissued 1965 Half Note Recordings’ with the Wynton Kelly Trio only bolsters the case that Wes Montgomery is the greatest jazz guitarist of all time.

‘Blue Room: The 1979 Vara Studio Sessions in Holland’ captures the trumpet icon Chet Baker playing in peak form in this long-lost treasure now finally released by Zev Feldman’s Jazz Detective label.