As with the earlier “Walls,” “Where Will You Be” holds an unusual place in the Yes canon – but in a much more positive way.

“Walls” is easily the most commercial song on Yes’ 1994 album ‘Talk,’ but that doesn’t make it a stand-out track.

“State of Play” sounds as for away from the main sequence of Yes songs as they could get. That doesn’t mean it isn’t good.

Nine minutes of well-played but uninspired AOR, “Real Love” is not quite up to the standards set by Yes in their glory years.

“I Am Waiting” isn’t a Yes epic of yesteryear, but there are enough prog elements to keep old fans engaged.

Yes begins 1994’s ‘Talk’ with a powerful tour-de-force that showcases some of the best aspects of this particular incarnation.

Like the majority of the Jonathan Elias-produced tracks on Yes’ ‘Union,’ these tracks might have been great if different choices had been made.

“Holding On” doesn’t quite reach Yes greatness – ironic, given the song is packed full of so many production tricks.

The finished version of “Dangerous,” released on Yes’ 1991 album ‘Union,’ stands in stark contrast to Steve Howe’s original demo.

How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?