Trevor Rabin, formerly of Yes: Something Else! Interview
Former Yes star Trevor Rabin discusses ‘Jacaranda,’ his second career in film and of course his time with one of prog rock’s signature bands.
Former Yes star Trevor Rabin discusses ‘Jacaranda,’ his second career in film and of course his time with one of prog rock’s signature bands.

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When Yes added Jon Davison of Glass Hammer as its new lead singer, that didn’t mean the end of his prog band. In fact, Glass Hammer is at work on a new album You May Also Like: No related posts.

Yes’ Open Your Eyes, the legendary prog-rock band’s penultimate project with Jon Anderson, will be reissued on 180-gram heavy-weight vinyl. You May Also Like: In Defense of the Long-Ignored Yes Album ‘Open Your Eyes’ Returning to One of Yes’ Most Overlooked Eras: ‘Open Your Eyes’

If there is a central image of prog rock’s excesses, it is likely the cape-sporting Yes man Rick Wakeman surrounded by a semi-circle of towering keyboards. You May Also Like: Rick Wakeman and the English Rock Ensemble – ‘The Red Planet’ (2020)

Chris Squire joins us to discuss how a failed project with Led Zeppelin’s Jimmy Page ultimately led to the inclusion a Squire-sung track on Yes’ ‘Magnification.’

Chris Squire talks about a 2012 project with Steve Hackett, reuniting with Billy Sherwood, and the difficulties in finding time to make music outside of the familiar matrix of Yes.

I can’t remember the last time I heard Chris Squire approach the bass with this much unadulterated passion, with this much joy.

It would be tempting to call this jazz fusion, or jazz rock. Or jazz something. But there’s so very much more going on, as Yes alum Trevor Rabin hurtles through Jacaranda, due May 8, 2012 from Varese Vintage Records. You May Also Like: Trevor Rabin – ‘Rio’ (2023)

As Billy Sherwood assembled an all-star cast for the forthcoming 2012 Cleopatra Records release The Prog Collective, he thought of an old friend: Former Yes bandmate Chris Squire. You May Also Like: Billy Sherwood Talks #Yes50, ‘Topographic Drama’ and a Tribute to Chris Squire