Before I get to the part of the article where I piss off the Ken Burns jazz fans, let me rant a little about something completely (well, almost) unrelated. You May Also Like: Brian Groder Trio – R Train on the D Line (2016)

Willie Nelson and Wynton Marsalis continue a stirringly offbeat musical dialogue begun with their 2008 release Two Men with the Blues, this time focusing on the music of Ray Charles. You May Also Like: Willie Nelson Found a Worthy Foil on the Diverse, Rootsy ‘Willie and the Wheel’ Wynton MarsalisRead More

Photo by Jim Eigo by Nick DeRiso People think of clarinets as this sound from a different era, and the guys who play them as having done so in black and white. The late Alvin Batiste, who initially found his muse in Charlie Parker’s “Now’s the Time,” was never thatRead More

by S. Victor Aaron Robert Hurst is a guy I remember being Wynton Marsalis’ bassist in the late 1980s, before performing in the same capacity for Branford’s Tonight Show band. From there, I don’t recall much. But that’s on me because in reality, Hurst has kept very busy: he’s servedRead More

by Pico Can Old School sound fresh? It did when Wynton Marsalis first burst onto the jazz scene at a time when tradition was largely ignored or widely diluted. After a seventeen year stint in The Count Basie Orchestra, a sideman stint in Marcus Roberts’ combo and recording dates withRead More

NICK DERISO: With “New Orleans Meets Harlem,” pianist Marcus Roberts explores the connections between two of jazz music’s most elemental tributaries — building on familiar ideas put in place by Jelly Roll Morton, Fats Waller, Scott Joplin, Duke Ellington and Thelonious Monk. The record, Roberts’ first in eight years, hitsRead More

by Pico Jeff ‘Tain’ Watts doesn’t hail from New Orleans (he’s a native of Pittsburgh), but it seems he enjoys hanging out with guys from there. The Marsalis family—Wynton, Branford and Ellis—have enlisted his services, as well other Big Easy luminaries as Terence Blanchard and Harry Connick, Jr. Watts firstRead More

Wynton Marsalis and Willie Nelson shared a stage in one of the most satisfyingly offbeat pairings from a regimentally segregated musical era.

by Pico Yesterday was a look back at what I thought were the best mainstream music releases of 2008. Now it’s time for the installment of this year’s “Best Of” series that’s my main bread and butter: straight ahead jazz. More records of that sort were covered in this spaceRead More

The Quickies columns have been settling into a theme of late, a theme of pimping obscure jazzers, especially whack jazzers. Hey, I can do nothing but that for years on end, but then I’d be skipping over some albums worthy of salute that come the more mainstream side of music.Read More