They are, these odds and ends, the last great treasure left by one Sam Maghett — better known as Magic Sam. This god of the tremolo embodied (just as fully, but with far less fanfare) the same gritty and adventurous West Side Chicago swagger more commonly associated with Buddy GuyRead More

NICK DERISO: This Smithsonian Folkways release, issued today, is a hot-dawg compilation that sets up both as primer for the new-to-this and reminder for the been-there-done-that crowd. A remarkably deep catalogue has helped the label continue for years with a series of myth-confirming sets. “Classic Piano Blues” is no different,Read More

Koko Taylor marked her 20th year on Alligator Records with an album reminds you she’s still got it. A lot of it.

NICK DERISO: Guitarist Buddy Guy, a Baton Rouge-area native, has a presence hardly in need of defining. From bar-walking solos (thanks to that old 150-foot amp chord), to his clean, percussive style on a polka-dot guitar, Guy has since the 1960s cut a wide swath, image-wise. Yet “Southern Blues” illuminatesRead More

By Nick DeRiso It you’re interested in Delta piano stylings, as seen through the sieve of Chicago’s mean streets, here’s a great place to begin your journey. Issued by Stan Lewis’s hip-shaking local indie label, “Chicago Piano, 1951-58” features Sunnyland Slim, Little Brother Montgomery, Memphis Slim and others. You MayRead More

by Nick DeRiso It’s been more than 50 years since Stan Lewis opened Stan’s Record Shop in downtown Shreveport. From his vantage point at the the top of Texas Avenue (I used to sneak down there after class), he would go on to create a once-lucrative business, then see theRead More