by S. Victor Aaron The credits scream “Tim Berne music” but the music itself more suggests “George Russell” or “Carla Bley.” This is the initial impression I got from Drew Gress’ newest offering released last month, The Irrational Numbers. Modern jazz composer/bassist Drew Gress is one of those New YorkRead More

by Pico This version of Quickies focuses on new rock and old jazz. One thing they have in common: it’s all good. >Bennie Maupin The Jewel In The Lotus Multi-reedist Bennie Maupin first made his mark contributing that bad-assed bass clarinet to Miles Davis’ Bitches Brew and then joined HerbieRead More

by S. Victor Aaron At the base level, music’s purpose is to entertain. Some musicians go beyond mere entertainment and use their music to promote a point of view, provoke thought and kindle certain kinds of emotions. Hand in hand with those higher goals are the use of music asRead More

by S. Victor Aaron It’s been hard to get my head out of the jazz idiom lately. That hadn’t limited the variety in my listening that much, since “jazz” covers so much musical ground. For this go-around of Quickies, the first two selections aren’t all that dissimilar but then theRead More

This week my contributions to the pile of music reviews got a little bit off the road with William Parker then Bill Frisell. Since we’re already off the pavement, I might as well head straight into the culvert with a panegyrist over a Tom Cora performance. Tom Cora, you ask?Read More

by S. Victor Aaron Bill Frisell is a guy I’ve been a huge fan of for about six or seven years, but the sheer volume, originality and wide range of his music has made it impossible for me to know where to begin when writing about him. There is notRead More

William Parker is in many ways like fellow double-bassist Dave Holland: nimble, quick, creative, accurate and full of ideas. He is also one of the rare bassists whose notes manage to capture attention even in a strictly supportive role. Village Voice calls him “the most consistently brilliant free jazz bassistRead More

S. Victor Aaron Evidently, the word “constellation” in your CD title means you’re gonna stretch people’s ears. But while Roseman does it with trippy reggae-jazz, Eisenbeil gets it done with good old fashioned free (read: whack) jazz. Eisenbell is clearly influenced by that godfather of free form guitar, Derek Bailey,Read More

by S. Victor Aaron From the first two words of this group, you already know that it’s a combo that features King Crimson’s all-everything rhythm section of Bill Bruford (drummer extraordinaire) and Tony Levin (bassist extraordinaire). This side project of theirs produced just a self-titled studio album in 1999 andRead More

by S. Victor Aaron Orchestral jazz seem to be a dying art these days. Oh sure, there are Ellington, Monk and Mingus tribute bands, but there seems to be a dearth of composers creating new works. Well OK, maybe that’s a little dramatic. In reality, such jazz composers still doRead More