photo: Valerie Trucchia by S. Victor Aaron Since starting up this site about four years ago, we’ve taken a look at a Japanese whack jazzer only once, but the fact of the matter is, the Land of the Rising Sun is a haven for music that’s unconventional, unpredictable and thrivingRead More

by S. Victor Aaron Birthday parties are almost always such fun events and nowadays, they all get captured on video. When someone marks their eightieth birthday, that’s a real cause for celebration. And when the birthday boy celebrates it by ripping it up making some great music, that’s just icingRead More

by S. Victor Aaron German woodwind wunderkind Gebhard Ullmann and New York-based trombone titlist Steve Swell may come from opposing sides of the Atlantic, but when the two get together to make music, they’re in the same house of whack jazz. There are some 70 led or co-led albums betweenRead More

Drumming ace Allison Miller might not be a household name yet but, boy, she sure is linked to a whole host of them.

The hottest band in the land just might be the Drive-By Truckers by S. Victor Aaron Funny how it seems I have plenty of time to listen to new music and precious little to write about. There’s about 9GBs of albums in my iPod rotation and I’m familiar with aRead More

by S. Victor Aaron The other day for the first time I heard a song by a certain female vocalist who had just won a Grammy (or maybe 6 or 7 Grammies, for all I know). The only thing I really remember about the song is that her voice wasRead More

Photo: Juan-Carlos Hernandez by S. Victor Aaron In my humble opinion, it’s not the improvised (aka “whack”) jazz that seems toughest to compose and render, nor is it the more mellifluous but intricate modern jazz. Rather, it’s the the kind of jazz that successfully combines both approaches. To me, it’sRead More

by S. Victor Aaron They say that writing about music is like dancing about architecture, and if that’s true, then writing about whack jazz can be more like swimming about psychiatry. Often, you can’t describe a melodic or rhythmic structure because there are none. Saying so-and-so sounds like some otherRead More

by S. Victor Aaron There’s jazz and and there’s whack jazz, that label I assign to jazz that is unrestrained, unconventional and sometimes, rude. The kind of jazz that you wouldn’t play at any party, but boy, they sure are fun to listen to when you’re really engaged to theRead More

by S. Victor Aaron In 2001, the avant garde jazz leading light Henry Threadgill had just recorded two albums he wanted released but couldn’t find a record company willing to do it. Quite a turnaround in the attitudes of the music business toward creative modern music, where Threadgill’s prior threeRead More