Earlier this week, Erik Friedlander released his 12th album, in his fiftieth year on earth. Those facts may not be so important to you, but the music that marks both events just might. Especially if you like the army of sounds, both familiar and strange, that Friedlander wrests from aRead More

by S. Victor Aaron The Claudia Quintet is an ensemble that goes by its own set of rules. With its slightly weird combination of vibes, accordion, sax, double-bass and drums, and songs that don’t follow the script of how songs go (but avoids skronkery and dissonance), the five piece bandRead More

by S. Victor Aaron If you’re a big ECM Records fan like I am, then you’d probably even remember your first ECM record. For a lot of those types, this one is most likely their first ECM. For me, though, it was Terje’s Rypdal’s Waves, which I picked up justRead More

by S. Victor Aaron Throughout all of the history of jazz, trumpet players were always in the vanguard: Armstrong, Gillespie, Davis, Bowie, I could go on. The common theme with the two fresh offerings go beyond the fact that they are led or co-led by trumpeters; these are releases thatRead More

Things could be looking up for Grace Potter & The Nocturnals. by Pico It’s been a whole three months since we last discussed a batch of sparkling new releases that are targeted for wider audiences. That’s such a long span that a few of the half dozen records yakked aboutRead More

AP Photo/Jeff Roberson, File by S. Victor Aaron Fred Anderson, a forward thinking tenor saxophonist for more than six decades and a major force in Chicago’s vital jazz scene, died Thursday following a heart attack. He was 81 years old. What I’ve found so remarkable about Anderson isn’t so muchRead More

The thrash-jazz music of Little Women is well off the wall. by S. Victor It’s time again to take a walk on the wide side. Anybody who plays that unpredictable, elaborate and passionate music called jazz has my eternal respect. If they play it in new and unconventional ways, well,Read More

Multiple personality disorder is considered an affliction among the mentally disabled, but when it comes to the artistry of that unquenchable, multidimensional guitarist Nels Cline, it’s the very thing that makes him such an unpredictably compelling musician. Each time I’ve audited a new record of his, like his celebration ofRead More

by S. Victor Aaron Not the bass player for Aerosmith, but a musician named “Tom Hamilton” with a more ambitious calling. For more than forty years, the nonpop New Music composer and performer Hamilton has treated music as a laboratory for experimentation, and a pioneer of using electronics for anarchistic,Read More

by S. Victor Aaron When I heard Joe Higham’s wonderfully diverse world fusion treat Where Are We Now? last year, I became suspicious that the Low Countries might be a magnet for out-the-box thinking for jazz players. Listening to Eric Vloeimans and his Gatecrash’s new release Heavensabove! just confirmed thoseRead More