Here is a review of Canadian trumpeter Lina Allemano’s Titanium Riot album ‘Kiss The Brain’, their imaginative, freeform electro-acoustic jazz debut.

Sammy Stein sits down with saxophonist Colin Webster to discuss those unlikely situations where you find the greatest musical connections.

David Torn has described himself as a “texturalist,” which is precisely the role he takes on every time he straps on a guitar, hits a pedal and twists some knobs. He’s applied himself in that role with vigor and uncommon instinct whether he’s in a group, creating a movie soundtrackRead More

Deadly Orgone Radiation shows what happens when musicians come together who listen, cooperate and interact on a level unattainable for many.

As a vehicle for this promising woodwinds talent from Poland Mat Walerian, his encounter with Matthew Shipp on ‘Live at Okuden’ makes good on that promise.

The musicianship gets this improvised chamber jazz concept off the ground, but it’s the bottomless imaginations of Shipp, Maneri and Bisio that make ‘The Gospel According To Matthew and Michael’ fly.

Here is a review of the Greg Ward/Caleb Willitz experimental Gaps & Space project ‘Synoptic Optiks.’ Once again, Greg Ward finds another way to defy not only expectations but discourage the very notion of setting expectations on him in the first place.

These sessions may have been recorded more than a decade ago, but the Thing’s ‘Garage’ is still one of the best albums I have heard this year.

Help jazz percussion great Warren Smith get some memorable material from a recent residency at NYC’s The Stone club released and keep his legacy intact.

Here is a review of an expanded reissue of the 1974 recording ‘Trio And Duet,’ exploring two sides of avant-garde great Anthony Braxton.