David Torn has described himself as a “texturalist,” which is precisely the role he takes on every time he straps on a guitar, hits a pedal and twists some knobs. He’s applied himself in that role with vigor and uncommon instinct whether he’s in a group, creating a movie soundtrackRead More

Deadly Orgone Radiation shows what happens when musicians come together who listen, cooperate and interact on a level unattainable for many.

As a vehicle for this promising woodwinds talent from Poland Mat Walerian, his encounter with Matthew Shipp on ‘Live at Okuden’ makes good on that promise.

The musicianship gets this improvised chamber jazz concept off the ground, but it’s the bottomless imaginations of Shipp, Maneri and Bisio that make ‘The Gospel According To Matthew and Michael’ fly.

Here is a review of the Greg Ward/Caleb Willitz experimental Gaps & Space project ‘Synoptic Optiks.’ Once again, Greg Ward finds another way to defy not only expectations but discourage the very notion of setting expectations on him in the first place.

These sessions may have been recorded more than a decade ago, but the Thing’s ‘Garage’ is still one of the best albums I have heard this year.

Help jazz percussion great Warren Smith get some memorable material from a recent residency at NYC’s The Stone club released and keep his legacy intact.

Here is a review of an expanded reissue of the 1974 recording ‘Trio And Duet,’ exploring two sides of avant-garde great Anthony Braxton.

Here is a review of Andrew Drury’s fascinating floor-tom drum experimentations, ‘The Drum.’

‘Jeremiah’ is the jazziest Jon Ludbom and Big Five Chord album yet but none of the Big Five Chord edge gets diminished in the process. The adventures continue with the same vigor and ingenuity as before.