‘Hesitantly Pleasant’ is a ridiculously endearing album which takes the listener on a corkscrew journey through mindsets, concepts and ideologies.

Baku and Fei’s ‘No One Teaches The Snake To Strike’ is extreme jazz improv, all tracks made up on the spot, no safety net, no overdubs, just a pure outpouring of drums/reeds co-combustion.

‘Astral Cube’ is the latest in a long line of Mazurek projects that demonstrates the leader’s great ability to bring divergent talent together for a chaotic yet cathartic sonic experience.

In thirty-five short minutes, Jaimie Branch said a lot about what she’s offering to the realm of outward-bound jazz. If ‘Fly or Die’ is only her Chapter One, I can hardly wait to hear the rest of this book.

As the 360º video makes clear, the gumption of the Great Harry Hillman knows no bounds.

Jü is a band with plenty of potency with the intelligence of knowing when and where to apply it. ‘Summa’ builds on that solid start with Kjetil Møster to take their game up even higher.

‘Chants And Corners’ is an offshoot of recent Rob Mazurek endeavors, tweaking prior ideas and recycling supporting musicians in different combinations.

‘Decaying Orbit’ — the song and the album — fulfills the promise of its members’ respective legacies and furthers the legacy of its worldly leader, guitarist Dan Phillips.

Describing ‘GRID’ as “guttural” is a modest way to put it, but scary music created on the fly has rarely sounded so sweet.

‘The Garden of Earthly Delights’ celebrates Hieronymus Bosch, whose surreal paintings seem to give John Zorn’s Simulacrum permission to follow similar patterns.