XTC, ‘Playground’ from ‘Wasp Star [Apple Venus, Pt.2]’ (2000): One Track Mind
XTC was a band that gave pop music a good name. Since their bare, new wave/punk beginnings, melody always mattered.
XTC was a band that gave pop music a good name. Since their bare, new wave/punk beginnings, melody always mattered.
by Nick DeRiso Coming as this debut rock release did, amidst the mid-1990s’ copy-cat grungery, it’s still a wonder “Weave” is any good at all. Chalk that up to Queen Sarah’s ceaseless woodshedding, said then to take place from 10 a.m. to 8 p.m. every day in the basement ofRead More
NICK DERISO: Four Dobie Gillis types, including brothers from Irvine, Calif., the Swamp Zombies were notable for having some amount of ability on all manner of instruments, but also at the clanging of pots and pans. They remain a great pop-music (or punk folk, I guess) example of what canRead More
by Nick DeRiso Start with Husker Du’s “Everything Falls Apart,” a 1982 release that was a little more cohesive than the live debut. They chew UP Donovan’s “Sunshine Superman.” Eleven years later, “Everything Falls Apart” was released again on CD (and this is funny) with some extras as “Everything FallsRead More
A group with the sound and spirit of 1960s-era garage bands, the Woggles are best decribed by the things they are not — despite being from Athens, Ga. No Dead influences. No side projects with Peter Buck. “Teendanceparty” is, instead, refreshingly free of any jangly pretense. In fact, the Woggles’Read More
NICK DERISO: News that jangle-pop favorites the dBs (featuring on-again, off-again New Orleans resident Peter Holsapple) have gotten together to put down some new tracks brought me back to 1991’s “Mavericks,” a thoughtful record that would have sounded perfectly at home on an early 1980s college-rock station. Holsapple and ChrisRead More
Cowboy Mouth — announced this week as one of the many featured bands at the 2007 Jazz and Heritage Festival in New Orleans — emerged in the early 1990s as a rugged, but distinctly popular rock alternative to the typical fiddle-and-rubboard fare associated with Louisiana music. Not that its NewRead More
by Nick DeRiso A pair of early 1990s Rhino compilations, all punky guts and art-rock pretention – without being pretentious – showed how the Do It Yourself aesthetic was given great depth by the almighty hook. Taken together, they’re a nice overview of the British punk explosion and the lastRead More