A great groovy mess, Baby Brother combines roots rock and punk in the most intriguing of ways. The result, Strange Things, lives up to its title, and that’s not a bad thing. You May Also Like: Mabel Greer’s Toyshop, “Big Brother, Little Brother” (2016): One Track Mind

Dave Grohl has, for the most part, put aside his throat-bleeding yell. Thank the gods. Oh, it’s still there, to be sure: “Bridge Burning” comes tearing out of the speakers at full bore, Grohl hollering away, but that gives way to singing pretty quick, and then he sticks with itRead More

Warning: Listening to the Joe Jackson Band’s ‘Volume 4’ may give you a strong urge to dig out your skinny tie.

The early Warner Bros.-focused ‘In Time: The Best of R.E.M. 1988–2003’ does a great job of exploring a period I refer to as the band’s Adult Years.

The Talking Heads seemed to do what so few manage – start a career almost fully formed, then gradually grow without giving up their signature style. They emerged weird, polished that weirdness, and let the world catch up. You May Also Like: Ever Wonder How David Byrne Fit Inside ThatRead More

Photo from NME.com by Tom Johnson Just a week ago, we were expecting nothing more than the usual – just distant wondering of when there might be a new Radiohead. It had to be coming soon, right? It’s been more than three years since they surprised us with In RainbowsRead More

by Mark Saleski This is the amazing, hilarious and true story of Sue Carpenter, a woman who gave corporate radio and the FCC the big ‘ef U’ by starting her own pirate radio station — right out of her apartment atop a hill in San Francisco. A career opportunity (writingRead More

Bursting forth as rock teetered between too-big prog pyrotechnics and mawkishly symphonic concept records, it comes as little surprise that Big Star seemed to disappear with barely a ripple. That, and the fact that Alex Chilton, who died yesterday at 59 after a heart attack, always seemed to be disappearing,Read More

XTC was a band that gave pop music a good name. Since their bare, new wave/punk beginnings, melody always mattered.

by Nick DeRiso Coming as this debut rock release did, amidst the mid-1990s’ copy-cat grungery, it’s still a wonder “Weave” is any good at all. Chalk that up to Queen Sarah’s ceaseless woodshedding, said then to take place from 10 a.m. to 8 p.m. every day in the basement ofRead More