Scott Amendola, with Nels Cline and Trevor Dunn – Fade To Orange (2015)
Scott Amendola was right, his opus orchestra piece just couldn’t be a special, one-night-only performance. Fortunately, it won’t be now.
Scott Amendola was right, his opus orchestra piece just couldn’t be a special, one-night-only performance. Fortunately, it won’t be now.
Inserting Toshimaru Nakamura into the mix doesn’t transform Many Arms, it amplifies their punk ethos/free jazz spirit instead.
UK guitar session vet Ray Russell gets back in touch with his trash-jazz side in this advance stream from the upcoming ‘Celestial Squid,’ a collaboration with Henry Kaiser.
S. Victor Aaron picks the best of 2014’s avant-garde and experimental jazz, including Roscoe Mitchell, Jimmy Giuffre, Wadada Leo Smith and others.
You got to come on, man, and take a piece of Mr. Nathan Parker Smith’s band.
Leading by example, Wadada Leo Smith inspired Saft, Morris and Pandi to reach even deeper into themselves as well. Group improv like you’ve never heard it before.
It doesn’t matter if the experimental music is being rendered by electric guitar or banjo, Seabrook uses technology, virtuosity and a deviously fertile mind to blow the minds of anyone who comes across these recordings. ‘Sylphid Vitalizers’ expands the world of what is possible with a banjo. And guitar, too.
‘Solarists’ immediately establishes Haitian Rail as a fearsome battery of inscrutable, noise with terrific give-and-take. And trombonist Dan Blacksberg’s presence assures that they hold up the jazz part of the experimental metal-jazz equation, losing none of their ferocity along the way.
The appeal of this music is its unbiased diversity and lack of set rules.
Rare recordings confirm Giuffre’s foresight as free jazz began racing to the edge.