Sam Ospovat – ‘Ride Angles’ (2019)
On ‘Ride Angles,’ the band is an extension of Sam Ospovat’s mind, a very fertile mind at that.
On ‘Ride Angles,’ the band is an extension of Sam Ospovat’s mind, a very fertile mind at that.
Dave Stryker’s third Baby Boomer covers album ‘Eight Track III’ is a can’t-lose proposition because the melodies are rich with timeless soul.
Charles Rumback’s ‘Cadillac Turns’ has all the energy and capriciousness of a free-jazz blowing session but still retains a strong sense of melody.
Reaching within his household for inspiration, bass master Joe Martin takes a rare turn leading a star-studded group.
Can both transcendental and earthly jazz coexist on the same record? With ‘In the Key of the Universe,’ Joey DeFrancesco answers with an emphatic ‘yes.’
Matthew Shipp returns to his trio, using a common setup to make music that’s uncommonly advanced and stimulating.
Here is S. Victor Aaron’s Best of 2018 list for modern and mainstream jazz releases.
Not everyone is cut out to take on such an ambitious project but one look at Michael Leonhart’s background makes it undeniably clear that he could.
The freewheeling ‘Lebroba’ is a solid entry in Andrew Cyrille’s lengthy catalog, and could be considered a solid entry in the catalogs of Wadada Leo Smith and Bill Frisell, too.
The big accomplishment of the first ‘Dirigo Rataplan’ was in Devin Gray’s insight in conceptualizing ways to get the most out of his fellow musicians and himself. That’s the same kind of brilliance found on ‘Dirigo Rataplan II.’