Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene and Federico Ughi create improvisational music of uncommon elegance and shared vision.

‘Molecular’ uses the double helix DNA component structure as a compass to guide James Brandon Lewis’ own harmonic map.

No matter how Dan Rosenboom makes music, it’s always going to be bold, thrilling and teeming with musicianship.

Jorge Roeder brings a lot of virtuosity to the double bass, but the most striking thing about ‘El Suelo Mío’ is how he is able to get such lovely sounds and captivating rhythms out of it.

It took a while for Jerry Granelli to look back to two of his most famous ex-employers, but once he found the perfect partners, he knew he could do it the right way.

The John Scofield Trio’s ‘Swallow Tales’ shows that Steve Swallow songs are the sound of quality modern jazz, even with a small band playing in no-nonsense bop style.

Here is the streaming premiere of Charles Rumback’s “Burning Daylight” track from his upcoming LP ‘June Holiday.’

Jon Hatamiya has put together a set of recordings where every single track sounds fresh and full of ingenuity.

The Jimmy Greene of 2020’s ‘While Looking Up’ is the same Jimmy Greene of 2009’s ‘Mission Statement’: a man of faith, eternal hope and steely determination. And, a danged fine musician.

‘The Fantastic Mrs. 10’ boils down to Matt Mitchell’s simple words: Tim Berne’s designs provide a context for insanity. Sweet insanity.