Daltrey’s voice has appreciably aged, Townshend’s windmill has slowed. But they hold nothing back.

The Hurting is the kind of album that gets deeper, and deeper still, the longer you listen. Thirty years haven’t changed that, as this newly remixed and expanded version of Tears for Fears’ 1983 debut shows. You May Also Like: Why You Should Have Celebrated Tears For Fears’ ‘Everybody LovesRead More

There was always more to the Moody Blues than the thunderous orchestral sweep of “Nights in White Satin.” ‘Timeless Flight’ touches on almost all of them.

Don’t let the goofball demeanor fool you: Ringo Starr is the model of consistency these days, as solid and professional a frontman as there is — and maestro of one of the last decades’ most reliably entertaining guest-packed tours. You May Also Like: No related posts.

A new interview with the Financial Times of London — his first sitdown with a print journalist in seven years — finds Robert Fripp railing against the music industry. You May Also Like: No related posts.

Rufus Wainwright returns with a song that sounds as old as polyester and, in fact, boasts a few venomous rebukes of dead-end dalliances that you’d expect to hear from the old men who once wore it. You May Also Like: No related posts.

Owl City represents the new paradigm in music: Just a kid at his parents’ house, mixing up an emotive brand of synthpop and posting it up on the Internet — but sounding to all the world like a polished and produced Top 40 act. You May Also Like: Ben Goldberg,Read More

We’ve all heard the lout in the back of the crowd, yelling “Freebird!” or some such annoying thing. On this tour, Elvis Costello brings those guys right on stage. You May Also Like: Elvis Costello’s ‘The Delivery Man’ Once Again Resisted the Urge to Look Back