“Love Conquers All,” a Chris Squire/Billy Sherwood outtake from the patched-together ‘Union’ album, deserves a more prominent place in the Yes canon.

“Give and Take” only made it onto the version of ‘Union’ released in the U.K. Too bad; it’s easily one of this Yes album’s better moments.

Like the majority of the Jonathan Elias-produced tracks on Yes’ ‘Union,’ these tracks might have been great if different choices had been made.

The finished version of “Dangerous,” released on Yes’ 1991 album ‘Union,’ stands in stark contrast to Steve Howe’s original demo.

How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

The first two minutes of “Miracle of Life” are pure prog joy. Then, as with so much of Yes’ pieced-together 1991 album ‘Union,’ something goes wrong.

“Saving My Heart” from 1991’s ‘Union’ found Yes looking over the precipice of their career – and deciding to jump.

Yes barely appears on “Without Hope You Cannot Start The Day,” which was completed by Jon Anderson from a sketch by producer Jonathan Elias. It’s a shame.

Producer Trevor Rabin scales back some of the excesses from 1987’s ‘Big Generator,’ creating a Yes song with Chris Squire that boasts a socially relevant theme.